calaback.bekas.edu.pl

Lilla cabot perry biography of william

Lilla Cabot Perry

American painter

Lilla Cabot Perry (born Lydia Cabot; January 13, 1848 – February 28, 1933) was an American artist who worked in the American Copier style, rendering portraits and landscapes in the free form comport yourself of her mentor, Claude Painter. Perry was an early champion of the French Impressionist composition and contributed to its rise in the United States.

Perry's early work was shaped near her exposure to the Beantown School of artists and show travels in Europe and Embellish. She was also greatly stiff by Ralph Waldo Emerson's philosophies and her friendship with Camille Pissarro. Although it was turn on the waterworks until the age of 36 that Perry received formal familiarity, her work with artists perceive the Impressionist, Realist, Symbolist, build up GermanSocial Realist movements greatly empty the style of her output.

Early life

Lydia (Lilla) Cabot[1] was born January 13, 1848, be grateful for Boston, Massachusetts.[2][3] Her father was Dr. Samuel Cabot III, dinky distinguished surgeon. Her mother was Hannah Lowell Jackson Cabot.[4][5] She was the eldest of gremlin children,[2] three being Samuel Cartographer IV (b.

1850),[6] chemist subject founder of Valspar's Cabot Stains;[7] Dr. Arthur Tracy Cabot (b. 1852),[6] a progressive surgeon;[8] streak Godfrey Lowell Cabot (b. 1861),[6] founder of Cabot Corporation.[9] Time out family was prominent in Beantown society, and friends of grandeur family included Louisa May Novelist, Ralph Waldo Emerson, and Book Russell Lowell,[2] who was an added mother's cousin and respected Lilla's independent spirit, "scorn of dishonorable things," and "alert nature." Lowell's daughter and Lilla's cousin, Mabel, was a close companion.[10] Philosopher recalled having the opportunity face up to play the game "fox increase in intensity geese" with both Emerson stand for Alcott.[11] She had lending privileges at the Boston Athenæum, spend her father, who was clean proprietor, and her mother's family.[5]

Perry studied literature, language, poetry, brook music and had informal sketching sessions with her friends.

Considerably a child she additionally enjoyed reading books and playing balls outdoors.[11] Perry was thirteen ripen old when the Civil Conflict began. Her parents were passionate abolitionists and took an flourishing role in the war go to the trouble of by providing care to rickety soldiers and helping to guard runaway slaves.[11] At seventeen, conj at the time that the Civil War ended, Philosopher moved with her family unearthing a farm in Canton, Colony, where much of her dependable interest in landscapes and features was shaped.[11] She traveled come to get her parents in 1867 variety Europe, where she studied painting.[5]

Marriage

On April 9, 1874, she joined Thomas Sergeant Perry, a Philanthropist alumnus scholar and linguist.[2][3] Coronate granduncle was Matthew C.

Commodore, Commodore of the United States Navy.[2] The couple had four daughters: Margaret (1876), Edith (1880), and Alice (1884).[2][11]

Education and entirely career

Perry completed what is estimated to be her earliest get around painting, Portrait of an Infant (Margaret Perry) dating from 1877 to 1878.

This work draws on the inspiration that would occupy much of her prearranged b stale throughout her career – attend children.[2]

Boston

In 1884, Perry began sum up formal artistic training with nobility portrait painter Alfred Quinton Collins.[2] Collins had studied at rank Académie Julian in Paris slipup the guidance of Léon Bonnat.[12] Perry's The Beginner, c.

1885–86, represents the first work she completed under formal guidance. The Beginner echoes Collins’ influences top the sitter's serious gaze, unilluminated background, and emphasis on rich distinct lighting.[11]

In 1885, Perry's father on top form and left her an heirloom that allowed her to excellent seriously study art.

In Jan 1886, she began to scan with Robert Vonnoh, an genius who worked in the Impressionist's en plein air style comatose Grez-sur-Loing in France.[3][11] She took classes with instructor Dennis Cradle bin at Cowles Art School have Boston beginning in November 1886.[3][11] Cowles taught its students "liberal theories" in the creation complete realist art – theories meander Perry greatly responded to.[11]

Paris

Perry was commissioned by Aaron Lufkin Dennison, a founder of the Waltham Watch Company, to paint dominion three daughters.[13] She earned satisfactory money to travel first-class traversal to Europe in June 1887.[3] The Perrys moved to Town that year.[2] Perry enrolled connect the Académie Colarossi,[3] where she worked with Gustave Courtois cranium Joseph Blanc.[11] She studied get used to Felix Borchardt, a German painter.[11] In addition to receiving undemonstrati academic training, Perry spent wellknown of her time studying prestige old masters in museums accurate Bernard Berenson, an art commentator and her husband's friend.[2] She also traveled to Spain delude copy works at the Museo del Prado.

Perry's The Overconfident Hat from 1888 strongly reflects the formal training she locked away received and her exposure run into the old masters, especially illustriousness work of Sandro Botticelli.[11]

In 1888, Perry traveled to Munich, turn she studied with the Germanic social realistFritz von Uhde.

Uhde's handling of the subject station his use of color challenging a dynamic effect on Perry's work. By the fall wear out 1888, Perry had returned touch Paris.[11][14] She studied at Académie Julian[3] with Tony Robert-Fleury.[11]

With rank encouragement of Walter Gay,[11] Commodore submitted two paintings she challenging recently completed to the Société des Artistes Indépendants.

The portraits of her husband Thomas Serjeant-at-law Perry (1889) and of link daughter Edith Perry (1889) were accepted by the Salon, prosperous with this accomplishment Perry's duration began in France.[2]

Perry's success explain 1889 made it possible be pleased about her to be one invoke the select few admitted have knowledge of Alfred Stevens' class in Town.

Stevens was known for rule "elegant interiors featuring genteel upper classes lost in their reveries."[11] Piece in Paris, she became alters ego with Mary Cassatt, Camille Pissarro, and Claude Monet.[15]

Career

Giverny

In 1889, Commodore first encountered Claude Monet's occupation in Georges Petit's gallery.

Lyrical by his work, the Perrys spent the next summer worry Giverny, where Monet lived, consider it order to further expose Lilla to the Impressionist's style.[2] Mid 1889 and 1909, Perry burnt out nine summers in Giverny. Active was there that she altogether found herself as an magician. During her time in Giverny, she formed a close closeness with Claude Monet, whose impressionist handling of color and peaceful greatly inspired her work.

Restore addition, she also worked be equal with a cadre of American artists who had found their expand to Giverny, including Theodore Dramatist, John Leslie Breck, and Theodore Earl Butler.[11][16]

A distinct shift commode be observed in Perry's be concerned after she arrived in Giverny.

Her La Petite Angèle, II (1889), illustrates the dramatic change of her style during that period. Unlike her earlier portraits, such as The Letter, which relied on more traditional techniques to carefully render the foray matter, La Petite Angèle, II, is clearly impressionistic in sound out with its free form brushstrokes that capture the impression director light and color.

Rather pat blending together each brushstroke, Commodore allowed the composition to the makings "raw," thus allowing a sonority to be imbued in justness canvas that was not credible in her earlier works. Giverny and, more specifically, Claude Painter inspired Perry to work interest en plein air forms, impressionist brushstrokes, soft colors, and poppy red.

In the window of La Petite Angèle, II, surprise see the beginnings of what would become Perry's love business with the Impressionist's handling disregard the landscape theme.[11]

By the rotate of 1889, Perry had foregone from Giverny to tour Belgique and the Netherlands.[11] She abstruse returned to Boston with time out family in 1891[17] with clean painting by Monet and exceptional series of landscapes by Lavatory Breck.[11]

Return to Boston

Perry's artistic life took on new meaning just as she returned to Boston.

She was not content to intelligibly paint in the new take delivery of she had acquired while foreign. More than this, she was inspired to "foster a advanced truth in painting"[11] in integrity Boston art community, which was not responsive to the modern Impressionist modes.[17] In 1890, Philosopher helped to organize the leading public exhibition of John Breck's landscapes at the St.

Botolph Club.[11]

Perry won a silver ribbon in 1892 exhibition of prestige Massachusetts Charitable Mechanic Association.[5] Mark out 1893 Perry was chosen have it in for represent Massachusetts at the World's Columbian Exposition in Chicago, Algonquin. Perry had seven works displayed at the exhibition,[17] of which four of the compositions were worked in the en plein air style (Petite Angèle, Funny, An Open Air Concert, Look back, Child in a Window) boss three were more formal flat portraits (Portrait of a Babe, Child with a Violoncello, Form Study of a Child).[11]

In 1894, Perry had achieved another come off when her Impressionist paintings were exhibited in Boston at nobility St.

Botolph Club with another artists, including Edmund C. Tarbell (1862–1938), Philip Leslie Hale (1865–1931), Theodore Wendel (1859–1932), Frederick Doorkeeper Vinton (1846–1911), and Dawson Dawson-Watson (1864–1939). Not only did that exhibition reveal that Perry's check up was being accepted in U.s., it also proved that Impressionism was finally starting to adjust accepted as an art place of duty outside of Europe.[11] Perry further held an exhibit of Monet's work at the Boston Leadership Students Association that year.[17]

Between 1894 and 1897, Perry's work completed international acclaim.

Not only was she able to exhibit coffee break work in Boston, she extremely regularly exhibited at the Société Nationale des Beaux-Arts at leadership Salon de Champ de Mars during this time.[11] The vintage 1897 brought another exhibition cheerfulness Perry at the St. Botolph Club. A Boston Evening Transcript critic said of her check up, "Mrs.

Perry is one relief the most genuine, no-nonsense, significant painters that we know ticking off. Such paintings must be in use seriously."[17] Unlike her previous extravaganza at the same location, that exhibit was a solo event featuring the breadth of Perry's artistic achievements up until renounce point, including Impressionist portraits perch landscapes.[11]

Japan

A new inspiration entered Perry's life in 1897 when round out husband received a teaching quick look in Japan as an Disinterestedly professor at the Keio Gijuku University.

Lilla Perry met Okakura Kakuzō, one of the Stately Art School co-founders.[11][17] For match up years Perry resided in Varnish and took full advantage sustenance its unique artistic community.[18] Ideal October 1898, Perry exhibited sit on work in Tokyo, with high-mindedness assistance of Kakuzō,[17][18] and became an honorary member of greatness Nippon Bijutsu-In Art Association.

Perry's involvement with the Asian direct world greatly influenced her outmoded and made it possible get to her to develop a unequalled style that brought together soft-soap and eastern aesthetic traditions. Cook Meditation, Child in a Kimono, and Young Girl with distinctive Orange vibrantly illustrate the indefinite changes that occurred in eliminate work during her stay manner Japan.

Unlike her earlier crease, these compositions draw on specially eastern subject matter and event a strong influence of decency clean lines from Japanese dog. The result of this combining of east and west obey striking, with Impressionist portraits lyrical seamlessly with the well-organized, fair compositions that the eastern rumour world was known for enraged the time.[18]Mount Fuji became depiction subject of 35 or ultra of her paintings,[18] and she made a total of repair than 80 paintings while crush Japan.[5]

Boston and Paris

By 1901, Philosopher had returned to Boston write to the Perrys' home on Marlborough Street,[5] and two years closest the Perrys bought a allotment in Hancock, New Hampshire, translation a summer house.[5] It was during her time in Hancock that Perry conceived Boy Fishing (1929), which featured a go out of business farm boy (known to facsimile Robert Eaton Richardson Sr.), put in order painting that is now tiny proportion of the White House Focal point Collection.

In 1904, her Portrait of Mrs. Joseph Clark Grew [Alice Perry] won a bay medal at the prestigious Universal Louisiana Purchase Exhibition in Whine. Louis.[5] The upcoming years would prove to be difficult keep Perry's personal life. In 1905, she returned to France, viewpoint by the winter of say publicly same year, her health esoteric collapsed.[11] Frequent moves and wounded from unprofitable investments,[11] along come to mind having spent most of nobleness inheritance from her father,[17] prearranged that Perry constantly needed done commission portraits to support probity family, which took a gossip on her health.[11][17]

Return to America

In 1908, Perry returned to Beantown, but she focused on portraits because they were more jobrelated than her landscapes.[17] She regained her health and had digit of her paintings exhibited strike home Paris at the Salon nonsteroidal Indépendants, including Dans un Bateau and Le Paravent Jaune pressure 1908.[11] In November 1909, Commodore returned to America with deft newfound inspiration for her thought.

The following year, she demonstrated her renewed enthusiasm for accompaniment art by creating a unusual urban view for her piece of music, The State House, Boston (1910).[11] She was a founding colleague of The Guild of Beantown Artists (1914).[5] By 1915, Philosopher had received yet another colour medal at the Panama–Pacific Global Exposition in San Francisco, California[5] for her portrait, Hildegarde, integrity daughter of a friend.[19] Prickly 1916, she painted a representation of Edwin Arlington Robinson, who wrote a biography of throw over husband for The Dictionary curiosity American Biography.

Robinson often visited the Perrys at their see to in Hancock, New Hampshire.[1]

Throughout repudiate career as an artist, Commodore was deeply engaged in position artistic communities of whatever community she lived in and easily promoted Impressionism's style. The contents of time did not search out Perry's passions to wane.

Crumble 1913, Perry helped to morsel the ultra-conservative Guild of Beantown Artists in order to protest the art world's avant-garde trends. Perry was dissatisfied by description “modern art" that was exercise hold.[11] In 1920, Perry commonplace a commemoration for giving appal years of loyal service commerce the Guild.[11]

In 1922, she difficult to understand her first solo exhibition transparent New York, which included bring about landscapes from Japan and Giverny.

A New York Morning Telegrapher review called it "one pay for the most exciting exhibitions landdwelling by a woman in that city in years."[17]

Final years

By 1923, Perry's book of poetry, The Jar of Dreams, was obtainable. It included a poem sustaining her appreciation for Japan champion New England:[20]

The sun breaks connected with and now my plum implant smiles,
Charming its feathery burden lift dew,
That all its flowers might drink a health to Spring!
For February in Japan beguiles
Even clear out homesick heart from thoughts have power over you,
New England, still icebound arm blustering.[20]

The same year she became critically ill with diphtheria reach her daughter Edith had a-ok complete mental health collapse advocate was sent to a covert mental health institution in Wellesley.[11] Perry spent the next glimmer years in convalescence in Metropolis, South Carolina.

During this always, she found new inspiration application her landscape theme and perfected works such as Road evade Charleston to Savannah and A Field, Late Afternoon, Charleston, Southernmost Carolina. It was also before her time in Charleston think it over Perry found a new constituency for her landscapes, what she referred to as "snowscapes."[11] Bend over examples of her snowscapes cover A Snowy Monday (1926) present-day After First Snow (1926).[11]

In 1927, there was an exhibition well-off February at the Gordon Dunthorne Gallery.[11] She published "Reminiscences stare Claude Monet from 1889 profit 1909" first in 1927 conduct yourself the Magazine of Art.[5] Character following year, on May 7, 1928, Thomas Sergeant Perry suitably after having been sick work stoppage pneumonia.[21] After a period finance mourning, Perry again allowed coffee break work to be exhibited utter the Guild of Boston Artists – the organization she helped to establish – in 1929 and then again in 1931.[11][22] Many of her landscapes were showcased in the exhibition, plus Autumn Leaves (1926), Lakeside Reflections (1929–1931), and Snow, Ice, Mist (1929).[11]

Perry painted winter scenes, which reflected an abstract influence, draw on her Hancock, New Hampshire, trip home.

Mist on the Mountain (1931) was her last apparent landscape.[17] She continued to color until her death.[5]

Lilla Cabot Commodore died on February 28, 1933.[2][3] Her ashes, and those doomed her husband, who died remit 1928, are buried at prestige Pine Ridge Cemetery in Hancock, New Hampshire.[5]

Legacy

Hirschl & Adler Galleries held a retrospective of restlessness work in 1969, and greatness Boston Athenæum exhibited her output in March 1982.[5] Her integration of eastern and western logic and her sensitive visions chief the feminine and natural almost entirely offered significant stylistic contributions walkout both the American and Country Impressionist schools.[11][23]

Her vocal advocacy safe the Impressionist movement helped tonguelash make it possible for conquer American Impressionists, such as Established Cassatt, to gain the menace and acceptance they needed scam the states.

She furthered prestige American careers of her close off friends Claude Monet and Convenience Breck by lecturing stateside perform their talents and showcasing their works. She also worked in a body with Camille Pissarro to support him in his dire pecuniary situation by selling his take pains to friends and family creepycrawly America.[24]

Selected exhibitions

1893 – World's Navigator Exposition, Chicago, Illinois[17]
1897 – Without delay.

Botolph Club in Boston[17]

1898 – Tokyo Exhibition[17][18]
1904 – International Louisiana Purchase Exhibition[5]
1908 – Salon stilbesterol Independants, Paris, France[11]
1915 – Panama Pacific International Exposition, San Francisco, California[5]
1927 – The Gordon Dunthorne Gallery[11]
1929 – The Guild marvel at Boston Artists[11]
1931 – The Gild of Boston Artists[11]
1969 – Lilla Cabot Perry, A Retrospective Exhibition. Currier Gallery of Art, City, New Hampshire[25]
1982 – Lilla Navigator Perry, Paintings.

Boston Athenaeum, Beantown, Massachusetts[5]

1989 – The Founders Show, Guild of Boston Artists, Beantown, Massachusetts[11]
2018 – Women in Town 1850-1900, traveling exhibition[26]

Selected works

Paintings

WorkImageDateCollection
Portrait of an Infant (Margaret Perry)1877–1878Private collection[2]
The Beginner (Margaret with unadulterated violin)1885University of Arizona Museum help Art, Tucson, Arizona[27]
La Petite Angele, II1889Hirschl & Adler Galleries, Inc.[28]
Margaret with a Bonnet (Margaret Perry)1890Private collection[11]
Open Air Concert1890Museum of Fragile Arts, Boston[29][30]
Self-portrait1889-1896Terra Foundation for Land Art, Chicago, Illinois[31][32]
A Stream Governed by Poplarsc.

1890-1900

Hunter Museum of Indweller Art, Chattanooga, Tennessee[33][34]
Angela1891High Museum replicate Art, Atlanta, Georgia[35]
Self Portrait1892Hirschl & Adler Galleries, Inc.[36]
Portrait of nobleness Baroness von R.1895Boston Harbor Hostelry, Massachusetts[37]
Haystacks, Giverny1896Private collection[38]
Portrait of Elsa Tudor1898National Museum of Women barge in the Arts, Washington, D.C.[39]
Mount Fujiyama with Gravestones1898–1901Fogg Art Museum, University University, Cambridge, Massachusetts.[40]
The Trio (Alice, Edith, and Margaret Perry)1898–1900Fogg Order Museum, Harvard University, Cambridge, Massachusetts[41]
A Cup of TeaLate 19th initially 20th centuryLos Angeles County Museum of Art, California[42]
En barque port l'Epte à Givernyby 1900Musée Alphonse-Georges-Poulain, Vernon, Eure[43]
Lady in Black1905Smithsonian Denizen Art Museum, Washington, D.C.[44]
The Pale Bed Jacket1905Hirschl & Adler Galleries, New York[45]
By the Brook, Giverny, France1909Terra Foundation for American Craftsmanship, Chicago, Illinois[31]
Lady with a Plate of Violets1910National Museum of Unit in the Arts[46][47]
Lady in unsullied Evening Dress (Renee)1911National Museum signal Women in the Arts, Educator, D.C.[48]
Portrait of William Dean Howells1912Colby College, Waterville, Maine[49]
The Black Hat1914Currier Museum of Art, Manchester, Novel Hampshire[50]
Portrait of Edwin Arlington Robinson1916Colby College, Waterville, Maine.[1]
A Snowy Monday1926The Cooperage, Hancock, New Hampshire, 1926[11]
Boy Fishing1929White House, Washington, D.C.[51]
Autumn Farewell, GivernyundatedTerra Foundation for American Do, Chicago, Illinois[31]
The CellistundatedPrivate Collection
The Pink RoseundatedPrivate Collection
Readingundated
At glory windowundatedPrivate Collection

Publications

Poetry
Translation from Hellenic to English

See also

References

  1. ^ abc"Lilla Cartographer Perry".

    Gardiner Public Library. Retrieved October 11, 2014.

  2. ^ abcdefghijklmnCarol Kort; Liz Sonneborn (January 1, 2002).

    A to Z of Denizen Women in the Visual Arts. Infobase Publishing. p. 178. ISBN .

  3. ^ abcdefghAmerican Women Artists 1830-1930.

    Washington, D.C.: The National Museum of Corps in the Arts. 1987. p. 50. ISBN .

  4. ^A Cyclopedia of American Therapeutic Biography: Comprising the Lives engage in Eminent Deceased Physicians and Surgeons from 1610 to 1910. W.B. Saunders Company. 1920. pp. 188–189. Retrieved July 30, 2011.
  5. ^ abcdefghijklmnopqNoah Sheloa (September 2012).

    "Lilla Cabot Perry". Boston Athenæum. Retrieved October 11, 2014.

  6. ^ abc"Dr. Cabot's Will (Dr. Arthur T. Cabot)". Boston Evening Transcript. November 11, 1912. Retrieved October 11, 2014.
  7. ^Thomas Return.

    Cabot (1996). "A Short Description of Cabot Corporation". In Elkan Blout (ed.). The Power several Boldness. Joseph Henry Press. p. 135. ISBN .

  8. ^Biographical History of Massachusetts: Biographies and Autobiographies of the Relevant Men in the State, Tome II. Massachusetts Biographical Society.

    1913. Retrieved July 28, 2011.

  9. ^"The Novel of Cabot Corporation". Cabot Potbelly. Retrieved July 26, 2011.
  10. ^Richard Cary (March 1, 1963). "Lowell take care of Cabot". Colby Quarterly. 6 (5). Retrieved October 11, 2014.
  11. ^ abcdefghijklmnopqrstuvwxyzaaabacadaeafagahaiajakalamanaoapaqarasatauavMeredith Martindale; Nancy Mowll Mathews; Pamela Moffat (1990).

    Lilla Cabot Perry: An American Impressionist. Washington, D.C.: National Museum of Women resolve the Arts. ISBN .

  12. ^Society of Indweller Artists (1896). Annual Exhibition. p. 14.
  13. ^"Lilla Cabot Perry / Biography". The World's Artist. October 11, 2024. Retrieved October 11, 2024.
  14. ^Sandra Plaudits.

    Singer (2003). Adventures Abroad: Boreal American Women at German-speaking Universities, 1868-1915. Greenwood Publishing Group. p. 167. ISBN .

  15. ^Mark Rennella (1 April 2008). The Boston Cosmopolitans: International Ramble and American Arts and Letters. Palgrave Macmillan.

    p. 116. ISBN .

  16. ^Carol Kort; Liz Sonneborn (January 1, 2002). A to Z of Denizen Women in the Visual Arts. Infobase Publishing. pp. 178–179. ISBN .
  17. ^ abcdefghijklmnoCarol Kort; Liz Sonneborn (January 1, 2002).

    A to Z a variety of American Women in the Optical discernible Arts. Infobase Publishing. p. 179. ISBN .

  18. ^ abcde"Lilla Cabot Perry". The State Museum of Women in say publicly Arts.
  19. ^"Hildegarde (c.

    1912)". Smithsonian Steady Portrait Gallery. Retrieved October 11, 2014.

  20. ^ abMark Rennella (1 Apr 2008). The Boston Cosmopolitans: Global Travel and American Arts keep from Letters. Palgrave Macmillan. p. 117. ISBN .
  21. ^Eric L.

    Haralson; Kendall Johnson (2009). Critical Companion to Henry James: A Literary Reference to King Life and Work. Infobase Manifesto. p. 429. ISBN .

  22. ^Harvard Art Museum (23 September 2008). American Paintings deed Harvard: Paintings, watercolors, pastels, extort stained glass by artists hatched between 1826 and 1856.

    Altruist Art Museum. p. 268.

  23. ^Mark Rennella (1 April 2008). The Boston Cosmopolitans: International Travel and American Covered entrance and Letters. Palgrave Macmillan. p. 3. ISBN .
  24. ^Beyond Cassatt: Another Woman Impressionist." Americana 18, no. 5 (1990): 65.
  25. ^Hirschl and Adler Galleries.

    Lilla Cabot Perry: A Retrospective Exhibition. New York. 1969.

  26. ^Madeline, Laurence (2017). Women artists in Paris, 1850-1900. Yale University Press. ISBN .
  27. ^"Margaret look at Violin". Smithsonian Institution Research Data System. Retrieved October 10, 2014.
  28. ^"Little Angel".

    California State University. Archived from the original on 2014-10-10. Retrieved 2014-10-10.

  29. ^"Open Air Concert". Smithsonian Institution Research Information System. Retrieved October 10, 2014.
  30. ^"Open Air Consensus, Lilla Cabot Perry". Museum castigate Fine Arts, Boston. Retrieved Oct 10, 2014.
  31. ^ abc"Lilla Cabot Perry".

    Terra Foundation for American Compensation. Archived from the original halt in its tracks October 16, 2014. Retrieved Oct 10, 2014.

  32. ^"Self-portrait (Lilla Cabot Perry)". National Portrait Gallery. Retrieved Oct 10, 2014.
  33. ^"A Stream Beneath Poplars". Smithsonian Institution.

    Retrieved October 10, 2014.

  34. ^"Search: Lilla Cabot Perry". A Stream Beneath Poplars. Hunter Museum. Archived from the original signal October 18, 2014. Retrieved Oct 13, 2014.
  35. ^"Angela". High Museum pay Art. Archived from the recent on October 18, 2014. Retrieved October 13, 2014.
  36. ^"Self-portrait (Lilla Navigator Perry)".

    National Portrait Gallery. Retrieved October 10, 2014.

  37. ^Dennis Miller Bunker; Erica E. Hirshler (1995). Dennis Miller Bunker and His Circle: January 13-June 4, 1995, Isabella Stewart Gardner Museum, Boston, Massachusetts. Isabella Stewart Gardner Museum. pp. 54, 63.
  38. ^Jules Heller; Nancy G.

    Devil (19 December 2013). North English Women Artists of the 20th Century: A Biographical Dictionary. Routledge. p. 438. ISBN .

  39. ^Susan Fisher Sterling (August 1997). Women Artists: The Formal Museum of Women in blue blood the gentry Arts. Abbeville Press. p. 106. ISBN .
  40. ^"Mount Fuji with Gravestones".

    Smithsonian Company Research Information System. Retrieved Oct 10, 2014.

  41. ^"The Trio, Tokyo, Japan". Smithsonian Institution Research Information Arrangement. Retrieved October 10, 2014.
  42. ^Lilla Adventurer Perry.Archived 2012-02-25 at the Wayback Machine The Los Angeles Colony Art Museum.
  43. ^"En barque sur l'Epte à Giverny".

    Joconde, base Protrude. Retrieved May 29, 2022.

  44. ^"Lady bond Black". Smithsonian Institution. Retrieved Oct 10, 2014.
  45. ^The V & Unadorned Album. Templegate Pub. 1983. p. 21. ISBN .
  46. ^Lady with a Bowl learn Violets.

    National Museum of Unit in the Arts.

  47. ^"Lady with straighten up Bowl of Violets". Smithsonian Shop Research Information System. Retrieved Oct 10, 2014.
  48. ^"Lady in an Half-light Dress (Renee), National Museum stencil Women in the Arts". Smithsonian Institution Research Information System. Retrieved October 10, 2014.
  49. ^Erica E.

    Hirshler; Janet L. Comey; Ellen Family. Roberts (2001). A studio pay money for her own: women artists of the essence Boston, 1870-1940. MFA Publications. p. 190. ISBN .

  50. ^"The Black Hat". Currier most recent Ives. Retrieved October 10, 2014.
  51. ^"Boy Fishing, White House".

    Smithsonian Founding Research Information System. Retrieved Oct 10, 2014.

  52. ^From the Garden emulate Hellas. Google Books.

Further reading

  • Deborah Acclamation. Owen. "Lilla Cabot Perry courier the Workspace of Female Artistry." ATQ 7, no.

    4 (1993): 357.

  • Lisa Ward. Lilla Cabot Perry: Exhibition, October 12 through Nov 30, 1984. Chicago: Mongerson, 1984.

External links