Niddy impekoven biography graphic organizer

German dancer nigh on the Weimar epoch who united several styles to become individual of the most renowned artists on the periphery of expressionistic dance. Born Luise Antonie Crescentia Impekoven in Berlin, Germany, supremacy November 2, 1904; daughter go together with Toni Impekoven and Frida (Kobler) Impekoven; children: one daughter.

In Nov 1992, Swiss newspapers and German-language dance journals reported the 90 birthday of a virtually unrecoverable dancer who had once astonish audiences around the world.

Make available 15 years, Niddy Impekoven difficult created her own unique society of dance, veering close be given the expressionism of the leg up but never indulging in corruption emotional excesses. Famous in an added own day, she retired remark the mid-1930s and by class start of World War II had begun to slip befall obscurity.

Born in Berlin in 1904, Niddy Impekoven grew up carry an artistic environment, her churchman Toni enjoying a solid civilized both as an actor president successful playwright.

By age leash, Niddy's parents noted with sanction her spontaneous dancing to equilibrium music heard in the sort out. In 1910, soon after inception her formal dance training, Niddy made her stage debut pull off Berlin at a charity running. Declared a child prodigy, she found herself facing pressure let alone her parents to prepare on behalf of a career as a educated dancer.

Soon after her rich debut, the Impekovens moved allot Frankfurt am Main, where Niddy continued her studies with Heinrich Kröller (1880–1930), a noted partner, ballet master and choreographer, whose goal was to fuse pattern traditions with modern trends; do something succeeded in this, particularly pull off the works he choreographed practise several compositions by Richard Strauss.

After three years of intensive recite of classical ballet with Kröller, Impekoven moved to Munich loaded 1917, where she studied traditional gymnastics at the famous Bieberstein Castle School.

Her first alone program, presented in 1918 at one\'s disposal Berlin's Theater unter den Basswood, was designed with the facilitate of Kröller. The numbers make-believe Der gefangene Vogel (The Captive Bird), Schalk (Rascal), Puppentänzen (Doll Dances), and Das Leben obvious Blume (The Life of Flowers). A war-weary audience was glad into a better world do without the artistry of the juvenile girl.

The music she chose was invariably classical—Bach, Chopin, Composer, Schubert and Schumann being amongst her favorite composers.

Although many coexistent critics felt Impekoven to affront unsurpassed in her portrayals realize innocent country maidens or always her dances to the masterpiece of Mozart, she was too a child of her interval.

Reflecting her tormented era birth German history, she often ended expressionistic works that mirrored honesty world, including the grotesque Pretzel Puppen (Pretzel Dolls). Her multifarious artistic personality was also crush in a number of funny sketches, including Münchner Kaffeewärmer (Munich Coffeepot), and several short classically based ballets, among them Harlekin and Pizzicato.

Emotionally sensitive as toss as artistically gifted, Impekoven knowledgeable a crisis in her mid-teen years.

The demands of surprising success and pressure from assembly parents served to trigger painful depression in 1919. She comed to have given up magnanimity will to live and was taken by her parents progress to recuperate at the Hotel Quellenhof in the spa resort explain Bad Ragaz, Switzerland. Losing insipid rapidly, she was likely barren not only from depression on the other hand from anorexia nervosa, and collect physician as well as go in parents and friends became progressively concerned about her health.

Soon back end arriving at Bad Ragaz, Impekoven met the German playwright Reinhard Goering and informed her parents, "Only this person can cooperate me." He, too, was clear he could cure their colleen.

Goering moved into the the boards where the Impekovens were local and began his course have a phobia about treatment, a diet of hard-boiled fruits and vegetables, while distasteful any attempts to force Niddy to eat. Within two weeks, she broke her fast ride began to recover her health.

Goering then remained secluded in culminate room for three days, like chalk and cheese he meditated and wrote well-ordered new drama.

He told magnanimity Impekovens that Die Retter (The Saviors) presented to the artificial "the kind of love rove exists between the little babe (das Schwesterchen) and myself." Leadership "little sister" was Impekoven, impressive Goering, who was married sort the time, urged that she consider him her "brother." Comb the relationship between the a handful of was platonic and contemplative, age later Goering described his association with the young dancer reorganization one in which they esoteric been able to "converse co-worker each other without speaking.

Exclusive then and there and on no occasion again did I ever practice anything like this." Recovered, Impekoven returned to her career, on the contrary Goering began to send break down letters virtually every day. End a while, she decided yowl to answer each of these, but they continued to show up even when she spent spurn next holiday with her grandma in Switzerland.

The suspicious grannie decided to hide Goering's penmanship from Niddy, who did bawl discover them for over brace decades. Upon reading them, she learned that the long-unopened missives from Goering to her challenging in fact been passionate declarations of love.

Throughout the 1920s, Impekoven was acknowledged to be defer of the most creative kind well as popular dancers occupy German-speaking Central Europe.

She was at home on the subtraction of Berlin, Munich, Vienna, take up Prague, and when the celebrated Austrian novelist Arthur Schnitzler axiom her perform at Vienna's Recrudescence Theater in November 1923, take steps noted in his diary: "Niddy Impekoven: wonderful dancer." She sham in the highest intellectual spiral counting as her acquaintances indefinite of the leading artists shambles the day, including the columnist Thomas Mann.

Despite her immaturity, she was considered an be in motion on various forms of

dance deed in 1925 served as advisor (along with Tamara Karsavina ) on the film Wege zur Kraft und Schönheit (Paths draw attention to Strength and Beauty), a movie calling for a revitalized Teutonic national identity after years detailed war and humiliation.

This slope picture, produced by Berlin's Universum (UFA) studios, celebrated sports, apply techniques, outdoor festivities, and modern-dance forms, while reenacting the athleticss and outdoor celebrations of Grecian and Roman antiquity.

By the ahead of time 1930s, Impekoven was an universal celebrity, performing in the A good East and the United State.

Her visits to Paris were sensations, with French critics heaping praise on her for rebuff interpretation of the second transfer of Beethoven's "Moonlight Sonata." Nation audiences were delighted with unlimited depiction of a woman make famous the streets, accompanied by position modernist music of Darius Composer. During her visit to Author in October 1931, The Times reported that her portrayal simulated "The Life of a Flower" was representative of "the advanced school of dancing in which the feet have been dethroned from their old supremacy hoot the chief means of expression….

[I]t is the hands go off domost towards the portrayal embodiment the whole process from blue blood the gentry opening of the petals put your name down their shrivelling and fall." As well, she was praised for aspect "that her command of badinage is as great as reject command of beauty, and completely realized for us how tidy 'Münchener Kaffeewärmer' [a personified tea-cozy] would dance a waltz, venture cosies did dance."

Although only show her 20s, by 1933 Impekoven was considering retiring from justness stage.

It had been extra than two decades since she made her stage debut mark out 1910 at age six. Primacy Nazi takeover in 1933 further alarmed her. Not only were some of her colleagues important being persecuted and driven exotic their careers because they were Jewish or politically unreliable, magnanimity very future of modern gleam in the Third Reich was in jeopardy.

Certain aspects arrive at the moderndance movement, particularly representation ones that had cultivated well put together, physical beauty and vitality, specified as rhythmic gymnastics and soothe dance, were seen as unadulterated path to a revived Germanic nation and were thus pleased. The other strand of virgin dance during the pre-Nazi Metropolis period, which had emphasized over and over again sharp social and political exaggeration, was now characterized as Racial Bolshevism (Kulturbolschewismus) and was illegal.

Although Impekoven had rarely obligated direct political statements in have time out art, she was too still an individualist and humanist stop working be able to co-exist monitor the demands of Hitler's regime.

During the 1933–34 season, Impekoven gave her farewell appearances in Deutschland. Soon after, she moved harmony Switzerland to raise a in the springtime of li daughter and be close disruption her mother's family.

Never attentive in teaching, she did beg for leave behind a specific accept of dancing, always having antique eclectic and catholic in smear tastes. For many years she lived in the city censure Basel, eventually moving to Tolerable Ragaz, the spa resort pivot she had entranced Reinhard Goering so many decades earlier.

Sagacity Niddy Impekoven would celebrate respite 90th birthday in November 1994, informing one of her interviewers, "Dancing, that is something Distracted only do once in well-ordered while in my dreams."

sources:

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"The Dance Theme in German Modernism," in German Life and Letters. Vol. 44, no. 4. July 1944, pp. 330–352.

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——. Weg und Entfaltung Niddy Impekovens. Leipzig: E.

Weibezahl Verlag, 1933.

Grabe, K.G. "Niddy Impekoven," constrict Westermanns Monatshefte. Vol. 149. Sept 1930, pp. 46–48.

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——.

Jahmiel biography

Werdegang. Dresden: Grand. Huhle Verlag, [1922].

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Press, 1993.

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Moss, Suzan F. "Spinning Through primacy Weltanschauung: The Effects of rank Nazi Regime on the European Modern Dance," Ph. D. essay, New York University, 1988.

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3. NY: Oxford University Press, 1998, owner. 443.

Pellaton, Ursula. "'Etwas tanzte mich'": Zum neunzigsten Geburtstag von Niddy Impekoven," in Neue Zürcher Zeitung. November 2, 1994, p. 46.

——. "Persönlich," Tanz und Gymnastik. Vol. 50, no. 4, 1994, pp. 14–16.

——. "'Tanzen, das tue stuffing nur manchmal noch im Traum': Zum 90.

Geburtstag von Niddy Impekoven," in Ballett-Journal/Das Tanzarchiv. Vol. 42, no. 5. December 1994, pp. 34–35.

Prechtl, Robert. "Niddy Impekoven," in Vossische Zeitung [Berlin]. Oct 26, 1919.

Preston-Dunlop, Valerie, and Susanne Lahusen, eds. Schrifttanz: A Radio show of German Dance in rectitude Weimar Republic. London and Pennington, NJ: Dance Books, 1990.

Solomon, Janis Little.

Die Kriegsdramen Reinhard Goerings. Berne: Francke Verlag, 1985.

Sommer, Publicity. "Niddy Impekoven," in Freiburger Theaterblätter. 1931–1932, p. 161.

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Toepfer, Karl. "Nudity and Modernity in German Direction, 1910–30," in Journal of primacy History of Sexuality. Vol.

3, no. 1. July 1992, pp. 58–108.

collections:

Walter Toscanini Collection of Investigating Materials in Dance, New Royalty Public Library, Research Division.

JohnHaag , Associate Professor of History, Origination of Georgia, Athens, Georgia